The Project Gutenberg EBook of Keeping Tryst, by Annie Fellows Johnston

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

Title: Keeping Tryst
       A Tale of King Arthur's Time

Author: Annie Fellows Johnston

Release Date: May 2, 2012 [EBook #39591]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK KEEPING TRYST ***

Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

KEEPING TRYST

A TALE OF KING ARTHUR'S TIME

The Johnston Jewel Series

By Annie Fellows Johnston

Each, small 16mo, cloth,
decorated cover and frontispiece,
with decorative text
borders             75c.

List of Titles

THE RESCUE OF THE PRINCESS WINSOME: A Fairy Play for Old and Young.

KEEPING TRYST: A Tale of King Arthur's Time.

*IN THE DESERT OF WAITING: The Legend of Camelback Mountain.

*THE THREE WEAVERS: A Fairy Tale for Fathers and Mothers as Well as for Their Daughters.

THE LEGEND OF THE BLEEDING HEART.

*THE JESTER'S SWORD.

*Also bound in full flexible leather, with special tooling in gold, boxed $2.00

THE PAGE COMPANY
53 Beacon Street, Boston, Mass.

KEEPING
TRYST

A Tale of King Arthur's Time

"'Tis the king's call. O list!
Thou heart and hand of mine,
Keep tryst—
Keep tryst or die!"

BY
ANNIE FELLOWS JOHNSTON
Author of "The Little Colonel Series," "Big
Brother," "Joel: A Boy of Galilee," etc.

BOSTON
THE PAGE COMPANY
PUBLISHERS

Copyright, 1905
By L. C. Page & Company
(Incorporated)

Copyright, 1906
By L. C. Page & Company
(Incorporated)

All rights reserved

Second Impression, December, 1906
Third Impression, April, 1910
Fourth Impression, May, 1911
Fifth Impression, February, 1914
Sixth Impression, April, 1918
Seventh Impression, June, 1920

COLONIAL PRESS
Electrotyped and Printed by C. H. Simonds & Co.
Boston, U.S.A.

Keeping Tryst

NOW there was a troubadour in the kingdom of Arthur, who, strolling through the land with only his minstrelsy to win him a way, found in every baron's hall and cotter's hut a ready welcome. And while the boar's head sputtered on the spit, or the ale sparkled in the shining tankards, he told such tales of joust and journey, and feats of brave knight errantry, that even the scullions left their kitchen tasks, and, creeping near, stood round the door with mouths agape to listen.

Then with his harp-strings tuned to echoes of the wind on winter moors, he sang of death and valour on the field, of love and fealty in the hall, till those who listened forgot all save his singing and the noble knights whereof he sang.

One winter night, as thus he carolled in a great earl's hall, a little page crept nearer to his bench beside the fire, and, with his blue eyes fixed in wonderment upon the graybeard's face, stood spellbound. Now Ederyn was the page's name, an orphan lad whose lineage no man knew, but that he came of gentle blood all eyes could see, although as vassal 'twas his lot to wait upon the great earl's squire.

It was the Yule-tide, and the wassail-bowl passed round till boisterous mirth drowned oftentimes the minstrel's song, but Ederyn missed no word. Scarce knowing what he did, he crept so close he found himself with upturned face against the old man's knee.

"How now, thou flaxen-haired," the minstrel said, with kindly smile. "Dost like my song?"

"Oh, sire," the youth made answer, "methinks on such a wing the soul could well take flight to Paradise. But tell me, prithee, is it possible for such as I to gain the title of a knight? How doth one win such honours and acclaim and reach the high estate that thou dost laud?"

The minstrel gazed a little space into the Yule log's flame, and stroked his long hoar beard. Then made he answer:

"Some win their spurs and earn the royal accolade because the blood of dragons stains their hands. From mighty combat with these terrors they come victorious to their king's reward. And some there be sore scarred with conquest of the giants that ever prey upon the borders of our fair domain. Some, who have gone on far crusades to alien lands, and there with heart of gold and iron hand have proved their fealty to the Crown."

Then Ederyn sighed, for well he knew his stripling form could never wage fierce combat with a dragon. His hands could never meet the brawny grip of giants. "Is there no other way?" he faltered.

"I wot not," was the answer. "But take an old man's counsel. Forget thy dreams of glory, and be content to serve thy squire. For what hast such as thou to do with great ambitions? They'd prove but flames to burn away thy daily peace."

With that he turned to quaff the proffered bowl and add his voice to those whose mirth already shook the rafters. Nor had he any further speech with Ederyn. But afterward the pretty lad was often in his thoughts, and in his wanderings about the land he mused upon the question he had asked.

Another twelvemonth sped its way, and once again the Yule log burned within the hall, and once again the troubadour knocked at the gate, all in the night and falling snow. And as before, with merry jests they led him in and made him welcome. And as before, was every mouth agape from squire's to scullion's, as he sang.

Once more he sang of knights and ladyes fair, of love and death and valour; and Ederyn, the page, crept nearer to him till the harp-strings ceased to thrill. With head upon his hands, he sat and sighed. Not even when the wassail-bowl was passed with mirth and laughter did he look up. And when the graybeard minstrel saw his grief, he thought upon his question of the Yule-tide gone.

"Ah, now, thou flaxen-haired," he whispered in his ear. "I bear thee tidings which should make thee sing for joy. There is a way for even such as thou to win the honours thou dost covet. I heard it in the royal court when last I sang there at the king's behest."

Then all aquiver with his eagerness did Ederyn kneel, with face alight, beside the minstrel's knee to hear.

"Know this," began the graybeard. "'Tis the king's desire to 'stablish round him at his court a chosen circle whose fidelity hath stood the utmost test. Not deeds of prowess are required of these true followers, with no great conquests doth he tax them, but they must prove themselves trustworthy, until on hand and heart it may be graven large, 'In all things faithful.'

"To Merlin, the enchanter, he hath left the choice, who by some strange spell I wot not of will send an eerie call through all the kingdom. And only those will hear who wake at dawn to listen in high places. And only those will heed who keep the compass needles of their souls true to the north star of a great ambition. The time of testing will be long, the summons many. To duty and to sorrow, to disappointment and defeat, thou may'st be called. No matter what the tryst, there is but one reply if thou wouldst win thy knighthood. Give heed and I will teach thee now that answer."

Then smiting on his harp, the minstrel sang, so softly under cover of the noise, that only Ederyn heard. Through all the song ran ever this refrain. It seemed a brooklet winding in and out through some fair meadow:

"'Tis the king's call. O list!
Thou heart and hand of mine, keep tryst—
Keep tryst or die!"

Then Ederyn, with his hand upon his heart, made solemn oath. "Awake at dawn and listening in high places will I await that call. With the compass needle of my soul true to the north star of a great ambition will I follow where it leads, and though through fire and flood it take me, I'll make but this reply:

"''Tis the king's call. O list!
Thou heart and hand of mine, keep tryst—
Keep tryst or die!'"

Pressing the old man's hand in gratitude (he could say no word for the strange fulness in his throat that well-nigh choked him), he rose from his knees and left the hall to muse on what had passed.

That night he climbed into the tower, and, with his face turned to the east, kept vigil all alone. Below, the rioters waxed louder in their mirth. The knife was in the meat, the drink was in the horn. But he would not join their revels, lest morning find him sunk in sodden sleep, heavy with feasting and witless from wine.

As gray dawn trailed across the hills, he started to his feet, for far away sounded the call for which he had been waiting. It was like the faint blowing of an elfin horn, but the words came clearly.

"Ederyn! Ederyn! One awaits thee at nightfall in the shade of the yew-tree by the abbey tower! Keep tryst!"

Now the abbey tower was the space of forty furlongs from the domain of the earl, and full well Ederyn knew that only by especial favour of his squire could he gain leave of absence for this jaunt. So, from sunrise until dusk, he worked with will, to gain the wished-for leave. Never before did buckles shine as did the buckles of the squire entrusted to his polishing. Never did menial tasks cease sooner to be drudgery, because of the good-will with which he worked. And when the day was done, so well had every duty been performed, right willingly the squire did grant him grace, and forthwith Ederyn sped upon his mission.

The way was long, and, when he reached the abbey tree, he fell a-trembling, for there a tall wraith stood within the shadows of the yew. No face had it that he could see, its hands no substance, but he met it bravely, saying: "I am Ederyn, come to keep the king's tryst."

And then the spectre's voice replied: "Well hast thou kept it, for 'tis known to me the many menial tasks thou didst perform ere thou couldst come upon thy quest. In token that we two have met, here is my pledge that thou may'st keep to show the king."

He felt a light touch on the bosom of his inner vestment, and suddenly he stood alone beside the gruesome abbey. Clammy with fear, he knew not why, he drew his mantle round him and sped home as one speeds in a fearsome dream. And that it was a dream he half-believed, when later, in the hall, he served at meat those gathered round the old earl's board. But when he sought his bed, and threw aside his outer garment, there on his coarse, rough shirt of hodden gray a pearl gleamed white above his heart, where the wraith's cold hand had touched him. It was the token to the king that he had answered faithfully his call.

Again before the dawn he climbed into the tower, and, listening when the voices of the world were still, heard clear and sweet, like far-blown elfin horn, another summons.

"Ederyn! Ederyn! One awaits thee at the midnight hour beside black Kilgore's water. Keep tryst!"

Again to gain his squire's permission he toiled with double care. This time his task was counting all the spears and halberds, the battle-axes and the coats of mail that filled the earl's great armament. And o'er and o'er he counted, keeping careful tally with a bit of keel upon the iron-banded door, till the red lines that he marked there made his eyes ache and his head swim. At last the task was finished, and so well the squire praised him, and for his faithfulness again was fain to speed him on his way.

It was a woful journey to the waters of Kilgore. Sleep weighed on Ederyn's eyelids, and haltingly he went the weary miles, footsore and worn. But midnight found him on the spot where one awaited him, another wraith-like envoy of the king, and it, too, left a touch upon his heart in token he had kept the tryst. And when he looked, another pearl gleamed there beside the first.

So many a day went by, and Ederyn failed not in his homely tasks, but carried to his common round of duties all his might, as if they were great feats of prowess. Thus gained he liberty to keep the tryst with every messenger the king did send.

Once he fared forth along a dangerous road that led he knew not where, and, when he found it crossed a loathly swamp all filled with slime and creeping things, fain would he have fled. But, pushing on for sake of his brave oath, although with fainting heart, he reached the goal at last. This time his token made him wonder much. For when he wakened from his swoon, a shining star lay on his heart above the pearls.

Now it fell out the squire to whom this Ederyn was page was killed in conflict with a robber band, and Ederyn, for his faithfulness, was taken by the earl to fill that squire's place. Soon after that, they left the hall, and journeyed on a visit to a distant lord. 'Twas to the Castle of Content they came, where was a joyous garden. And now no menial tasks employed the new squire's time. Here was he free to wander all the day through vistas of the joyous garden, or loiter by the fountain in the courtyard and watch the maidens at their tasks, having fair speech with them among the flowers. And one there was among them, so lily-like in face, so gentle-voiced and fair, that Ederyn well-nigh forgot his oath, and felt full glad when for a space the king's call ceased to sound. And gladder was he still, when, later on, the earl's long visit done, he left young Ederyn behind to serve the great lord of the castle, for so the two friends had agreed, since Ederyn had pleased the old lord's fancy.

Yet was he faithful to his vow, and failed not every dawn to mount to some high place, when all the voices of the world were still, and listen for the sound of Merlin's horn. One morn it came:

"Ederyn! Ederyn! One waits thee far away. By the black cave of Atropos, when the moon fulls, keep thy tryst!"

Now 'twas a seven days' journey to that cave, and Ederyn, thinking of the lily maid, was loath to leave the garden. He lingered by the fountain until nightfall, saying to himself: "Why should I go on longer in these foolish quests, keeping tryst with shadows that vanish at the touch? No nearer am I to a knight's estate than when, a stripling page, I listened to the minstrel's tales."

The fountain softly splashed within the garden. From out the banquet-hall there stole the sound of tinkling lutes, and then the lily maiden sang. Her siren voice filled all his heart, and he forgot his oath to duty. But presently a star reflected in the fountain made him look up into the jewelled sky, where shone the polar constellation. And there he read the oath he had forgotten: "With the compass needle of my soul true to the north star of my great ambition, I will follow where it leads."

Thrusting his fingers in his ears to silence the beloved voice of her who sang, he madly rushed from out the garden into the blackness of the night. The Castle of Content clanged its great gate behind him. He shivered as he felt the jar through all his frame, but, never taking out his fingers, on he ran, till scores of furlongs lay between him and the tempting of that siren voice.

It was a strange and fearsome wood that lay between him and the cave. All things seemed moaning and afraid. He saw no forms, but everywhere the shadows shuddered, and moans and groans pursued him till nameless fears clutched at his heart with icy chill. Then suddenly the earth slipped way beneath his feet, and cold waves closed above his head. He knew now he had fallen in the pool that lies upon the far edge of the fearsome wood,—a pool so deep and of such whirling motion that only by the fiercest struggle may one escape. Gladly he would have allowed the waters to close over him, such cold pains smote his heart, had he not seemed to hear the old minstrel's song. It aroused him to a final effort, and he gasped between his teeth:

"''Tis the king's call! O list!
Thou heart and hand of mine, keep tryst—
Keep tryst or die!'"

With that, in one mighty struggle he dragged himself to land. A bow-shot farther on he saw the cave, and by sheer force of will crept toward it. What happened then he knew not till the moon rose full and high above him. A form swathed all in black bowed over him.

"Ederyn," she sighed, "here is thy token that the king may know that thou hast met me face to face."

He thought it was a diamond at first, that sparkled there beside the star, but when he looked again, lo, nothing but a tear.

Then went he back unto the joyous garden by slow degrees, for he was now sore spent. And after that the summons came full often. Whenever all the world seemed loveliest and life most sweet, then was the call most sure to come. But never once he faltered. Never was he faithless to the king's behest. Up weary mountain steps he toiled to find the sombre face of Disappointment there in waiting, and Suffering and Pain were often at his journey's end, and once a sore Defeat. But bravely as the months went by he learned to smile into their eyes, no matter which one handed out to him the pledge of Duty well performed.

One day, when he no longer was a beardless youth, but grown to pleasing stature and of great brawn, he heard the hoped-for call of which he long had dreamed: "Ederyn! Ederyn! The king himself awaits thee. Midsummer morn at lark-song, keep tryst beside the palace gate."

As travellers on the desert, spent and worn, see far across the sand the palm-tree's green that marks life-giving wells, so Ederyn hailed this summons to the king. The soul-consuming thirst that long had urged him on grew fiercer as the well of consummation came in sight. Hope shod his feet with wings, as thus with every nerve a-strain he pushed toward the final tryst. So fearful was he some mishap might snatch the cup away ere it had touched his thirsty lips, that three full days before the time he reached the Vale of Avalon, and sat him down outside the entrance to the palace.

Now there came prowling through the wood that edged the fair domain the gnarled dwarfs that do the will of Shudderwain. And Shudderwain, of all the giants thereabouts, most cruel was and to be feared. Knowing full well what pleasure it would give the bloody monster, these dwarfs laid evil hands on Ederyn. Sleeping they found him, and bound him with hard leathern thongs, and then with gibes and impish laughter dragged him into a dungeon past the help of man.

Two days and nights he lay there, raging at fate and at his helplessness, till he was well-nigh mad, bethinking him of all his baffled hopes. And like a madman gnawed he on the leathern thongs till he was free, and beat his hands against the stubborn rock that would not yield, and threw himself against the walls that held him in.

The dwarfs from time to time peered through the slatted window overhead and mocked him, pointing with their crooked thumbs.

"Ha! ha! Thou'lt keep no tryst," they chattered. "But if thou'lt swear upon thy oath to go back to the joyous garden, and hark no more for Merlin's call, we'll let thee loose from out this Dungeon of thy Disappointment."

Then was Ederyn tempted, for the dungeon was foul indeed, and his heart cried out to go back to the lily maiden. But once more in his ears he thrust his fingers and cried:

"'To the king's call alone I'll list!
Oh, heart and hand of mine, keep tryst—
Keep tryst or die!'"

On the third night, with the quiet of despair he threw him prone upon the dungeon floor and held his peace, no longer gnawing on his thongs or beating on the rock. A single moonbeam straggled through the slatted window, and by its light he saw a spider spinning out a web. Then, looking dully around, he saw the dungeon was hung thick with other webs, foul with the dust of years. Great festoons of the cobweb film shrouded his prison walls. As up and down the hairy creature swung itself upon its thread, the hopeless eyes of Ederyn followed it.

All in a twinkling he saw how he might profit by the spider's teaching, and clapped his hand across his mouth to keep from shouting out his joy so that the dwarfs could hear. Now once more like a madman rushing at the walls, he tore down all the dusty webs, and twisted them together in long strands. These strands he braided in thick ropes and tied them, knotting them and twisting and doubling once again. All the while he kept bewailing the stupid way in which he wasted time. "Three days ago I might have quit this den," he sighed, "had I but used the means that lay at hand. Full well I knew that heaven always finds a way to help the man who helps himself. No creature lives too mean to be of service, and even dungeon walls must harbour help for him who boldly grasps the first thing that he sees and makes it serve him."

So fast and furiously he worked that, long before the moonbeam faded, his cobweb rope was strong enough to bear his weight, and long enough to reach twice over to the slatted window overhead. By many trials he at last succeeded in throwing it around a spike that barred the window, and, climbing up, he forced the slats apart and clambered through. Then tying the rope's end to the window, he slid down all the dizzy cliffside in which the dwarfs had dug the dungeon, and dropped into the stream that ran below.

Lo, when he looked around him it was dawn. Midsummer morn it was, and, plunging through the wood, he heard the lark's song rise, and reached the palace gate just as it opened to the blare of trumpets for the king's train to ride forth. When Ederyn saw the royal cavalcade, he shrunk back into the wayside bushes, so ill-befitting did it seem that he should come before the king in tattered garments, with blood upon his hands where the sharp rocks had cut, and with foul dungeon stains.

But that the king might know he'd ever proven faithful, he sank upon his knees and bared his breast at his approach. There all the pledges glistened in the sunlight, in rainbow hues. There Pain had dropped her heart's blood in a glittering ruby, and Honour set her seal upon him in a golden star. A diamond gleamed where Sorrow's tear had fallen, and amethysts glowed now with purple splendour to mark his patient meeting with Defeat. But mostly were the pledges little pearls for little duties faithfully performed; and there they shone, and, as the people gazed, they saw the jewels take the shape of letters, so that the king read out before them all, "Semper fidelis."

Then drew the king his royal sword and lightly smote on Ederyn's shoulder, and cried: "Arise, Sir Knight, Sir Ederyn the Trusty. Since I may trust thee to the utmost in little things as well as great, since thou of all men art most worthy, henceforth by thy king's heart thou shalt ride, ever to be his faithful guard and comrade."

So there before them all he did him honour, and ordered that a prancing steed be brought and a good sword buckled on his side.

Thus Ederyn won his sovereign's favour. Soon, by his sovereign's grace permitted, he went back to the joyous garden to woo the lily maiden. When he had won his bride and borne her to the palace, then was his great reward complete for all his years of fealty to his vow. Then out into the world he went to guard his king. Henceforth blazoned on his shield and helmet he bore the crest—a heart with hand that grasped a spear, and, underneath, these words:

"I keep the tryst!"

THE END.

End of the Project Gutenberg EBook of Keeping Tryst, by Annie Fellows Johnston

*** END OF THIS PROJECT GUTENBERG EBOOK KEEPING TRYST ***

***** This file should be named 39591-h.htm or 39591-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/9/5/9/39591/

Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org

Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate

Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.